Field to Palette: Dialogues on Soil and Art in the Anthropocene, eds. Alexandra Toland, Jay Noller & Gerd Wessoleck, CRC Press, November 2018
I am pleased to jointly publish a chapter, with Sam Illingworth and Matt Girling in this new collection: “an investigation of the cultural meanings, representations, and values of soil in a time of planetary change… critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss. The book celebrates different disciplinary perspectives in a collection of dialogue texts between artists and scientists, interviews by the editors and invited curators, essays and poems by earth scientists and humanities scholars, soil recipes, maps, and DIY experiments. With contributions from over 100 internationally renowned researchers and practitioners, Field to Palette presents a set of visual methodologies and worldviews that expand our understanding of soil and encourage readers to develop their own interpretations of the ground beneath our feet.”
Urban Matters, 9th Annual Conference on the New Materialisms, Utrecht University, 20-22 June 2018
I am pleased to be presenting a paper ‘Microtopia: sensing and renarrating Belgian nuclear materiality’, on my research in creating a microfiche zine responding to proposals for geoburial of radioactive waste in northern Belgium. I’m on the ‘Post-Industrial’ panel, along with artists Ilona Hongisto, Tero Nauha and anthropologist Milosz Mankiewicz.
Roundtable Discussion, Bildmuseet, Umeå University, Sweden, 19 November 2016
A discussion about art and the deep time of radiation to accompany the Perpetual Uncertainty exhibition. Short presentations by artists and nuclear scholars will take place in the Bildmuseet Flexi-hall, followed by a series of small roundtable discussions bringing together a range of disciplinary perspectives on the nuclear, including artists and people working on the long-term storage of radioactive waste in Europe. The event is inspired by James Acord’s roundtable that he built in his Hanford studio, USA 1999, to bring together environmentalists and people from the nuclear industry to discuss the clean up of the Hanford site.
Introduced by Ele Carpenter and chaired by John O’Brian, with Roundtable facilitators in Bildmuseet and HumLab: Thomson & Craighead; Deep Time Consultation, Jantine Schröder; Remote Sensing Radiation, Susan Schuppli; Nuclear Anthropocene, Peter C van Wyck; Intergenerational responsibility, Johan Swahn; Camera Atomica: Radiation and Photography, John O’Brian; Deep Time Microfiche, Dave Griffiths.
Invited participants will include artists, film-makers, activists, policy makers, professionals engaged in nuclear research and radioactive waste management. In addition members of the public with an interest in nuclear issues, deep time, art and radiation will be able to buy tickets online.
Arts Catalyst & Z33 House for Contemporary Arts, Belgium, 11 – 13 July 2016
A field trip to HADES, Belgium’s underground research lab in Mol, for geologic disposal of high-level radioactive waste. Organised by Nuclear Cultures project in with Z33 (Hasselt), and ONDRAF/NIRAS (Belgian agency for radioactive waste and enriched fissile materials), artists Kota Takeuchi, Andy Weir, Dave Griffiths and curators Ils Huygens and Ele Carpenter spent 3 days visiting Z33 and meeting Christoph Depaus, Maarten Van Geet and Jantine Schröder at SCK.
I organised Deep Field [Club Golf Nuclea Mol] – an art-science golfing dialogue reflecting on time as underground moles in the HADES research bunker, and re-enacting leisure pursuits of post-war nuclear workers. I’m collecting thoughts and feelings on future mattering of time and space implied by burying, and co-existing with, nuclear waste. I’m producing content for Deep Field [Unclear Zine], a microfiche fanzine collaging poetry, drawing, data, photographs and interviews that attempts to translate the contemporary radioactive waste repository for far-future readers, as a folkloric site of conflict and unknowing.
The HADES lab was constructed in 1980, at 255 metres underground, to research possibilities of geological disposal in deep clay strata. Like underground facilities in France, Sweden and Japan, the research lab is not intended to be used as a final repository for radioactive waste. Hades is also the Greek god of the underworld.
Wiener Library for the Study of the Holocaust & Genocide, 6 July – 15 September 2016
The Wiener Library’s new exhibition will explore the Nazi labour and extermination camps of Treblinka using the ground-breaking research of Staffordshire University archaeologist Dr Caroline Sturdy Colls and artistic responses to the topic curated by Michael Branthwaite.
For the first time in the UK, this archaeological work will be adapted and displayed along with specially commissioned artworks by Michael Branthwaite, Janine Goldsworthy, Dave Griffiths, Hilary Jack and Jenny Steele.
Through the team’s unique, predominantly non-invasive approach, a more accurate picture of the camps has emerged. At the same time, religious and ethical considerations surrounding their investigation have been respected. This work allowed the old gas chambers, mass graves and a large number of objects to be located. The innovative exhibition includes highlights from the Library’s collections, such as a contemporary map of Treblinka, Nazi documentation and testimony from survivors. It examines the history and architecture of the camps and the forensic archaeological process that helped reveal the camp’s history. The exhibition also explores the application of art as a means to provide access to scientific and historic data.