Tag Archives: featured

Approaching Sellafield

Sellafield, 23 January 2017

Ele Carpenter (Goldsmiths University/Arts Catalyst) and Dave Griffiths travelled with producer Beatrice Pickup and presenter Gordon Young to the Greycroft Stone Circle and Sellafield nuclear site, Cumbria, UK to record for a BBC Radio 4 documentary, Radioactive Art, scheduled for broadcast on 2 March 2017.  Read Ele’s full report on the Nuclear Cultures blog.

 

Art & Deep Time Radiation: Umeå

Roundtable Discussion, Bildmuseet, Umeå University, Sweden, 19 November 2016

A discussion about art and the deep time of radiation to accompany the Perpetual Uncertainty exhibition. Short presentations by artists and nuclear scholars will take place in the Bildmuseet Flexi-hall, followed by a series of small roundtable discussions bringing together a range of disciplinary perspectives on the nuclear, including artists and people working on the long-term storage of radioactive waste in Europe. The event is inspired by James Acord’s roundtable that he built in his Hanford studio, USA 1999, to bring together environmentalists and people from the nuclear industry to discuss the clean up of the Hanford site.

Introduced by Ele Carpenter and chaired by John O’Brian, with Roundtable facilitators in Bildmuseet and HumLab: Thomson & CraigheadDeep Time Consultation, Jantine SchröderRemote Sensing Radiation, Susan Schuppli; Nuclear Anthropocene, Peter C van Wyck; Intergenerational responsibility, Johan SwahnCamera Atomica: Radiation and Photography, John O’Brian; Deep Time Microfiche, Dave Griffiths.

Invited participants will include artists, film-makers, activists, policy makers, professionals engaged in nuclear research and radioactive waste management. In addition members of the public with an interest in nuclear issues, deep time, art and radiation will be able to buy tickets online.

Perpetual Uncertainty: Umeå

Bildmuseet, Umeå, Sweden, 2 October 2016- 16 April 2017

Perpetual Uncertainty / Contemporary Art in the Nuclear Anthropocene brings together artists from Europe, Japan, the USA and Australia to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and the deep time.

The artworks explore how nuclear weapons and nuclear power has influenced our interpretation of concepts such as archives, memory, knowledge and time. How can we understand and visualise the ungraspable timeframe of radioactive half-life? How can we archive and communicate knowledge about radioactivity from generation to generation, hundreds of thousands of years into the future?

Curated by Ele Carpenter (Goldsmiths/Arts Catalyst), with artists: James Acord, Shuji Akagi, Lise Autogena & Joshua Portway, Erich Berger and Mari Keto, Nick Crowe and Ian Rawlinson, Don’t Follow the Wind, Finger Pointing Worker, Dave Griffiths, Isao Hashimoto, Erika Kobayashi, David Mabb, Cécile Massart, Eva and Franco Mattes, Yelena Popova, Susan Schuppli, Shimpei Takeda, Kota Takeuchi, Thomson & Craighead, Suzanne Treister, Andy Weir, Robert Williams and Bryan McGovern Wilson, and Ken + Julia Yonetani.

The exhibition includes a programme of films, open discussions and talks by researchers and experts. The film programme presents art films, documentaries and feature film by Todd Chandler, Jeff Stark, Eva and Franco Mattes, Merilyn Fairskye, Nina Fischer and Maroan el Sani, Peter Galison and Rob Moss, Karen Kramer, Akira Kurosawa, Fredrik Oskarsson, Cécile Massart, and Jane and Louise Wilson.

The exhibition is accompanied by The Nuclear Culture Source Book, a collaboration between Bildmuseet, Arts Catalyst and Black Dog Publishing.

Nuclear Cultures: HADES

Arts Catalyst & Z33 House for Contemporary Arts, Belgium, 11 – 13 July 2016

A field trip to HADES, Belgium’s underground research lab in Mol, for geologic disposal of high-level radioactive waste. Organised by Nuclear Cultures project in with Z33 (Hasselt), and ONDRAF/NIRAS (Belgian agency for radioactive waste and enriched fissile materials), artists Kota Takeuchi, Andy Weir, Dave Griffiths and curators Ils Huygens and Ele Carpenter spent 3 days visiting Z33 and meeting Christoph Depaus, Maarten Van Geet and Jantine Schröder at SCK.

I organised Deep Field [Club Golf Nuclea Mol] – an art-science golfing dialogue reflecting on time as underground moles in the HADES research bunker, and re-enacting leisure pursuits of post-war nuclear workers. I’m collecting thoughts and feelings on future mattering of time and space implied by burying, and co-existing with, nuclear waste. I’m producing content for Deep Field [Unclear Zine], a microfiche fanzine collaging poetry, drawing, data, photographs and interviews that attempts to translate the contemporary radioactive waste repository for far-future readers, as a folkloric site of conflict and unknowing. 

The HADES lab was constructed in 1980, at 255 metres underground, to research possibilities of geological disposal in deep clay strata. Like underground facilities in France, Sweden and Japan, the research lab is not intended to be used as a final repository for radioactive waste. Hades is also the Greek god of the underworld.

 

Treblinka: Archaeological Investigations & Artistic Responses

centre-of-archaeology-logo_tcm44-72700Treblinka: Archaeological Investigations & Artistic Responses (2016), eds. Caroline Sturdy Colls & Michael Branthwaite, Stoke: Centre of Archaeology Special Issue, ISBN 9781534632295

Between 800,000 and 1 million people lost their lives at Treblinka extermination camp during the Holocaust. A further 10,00 perished in the nearby labour camp as a result of the Nazi death through work policy and ad hoc executions. Since 2007 both camps have been the subject of forensic archaeological research by Dr Caroline Sturdy Colls, to reveal new insights into the nature and extent of Nazi persecution.

This book presents the major findings, which included the discovery of the gas chambers, personal effects of victims, and mass graves. It also includes artistic response to these findings, curated by Michael Branthwaite and commissioned as part of the international exhibition Finding Treblinka. Featuring new artworks by Michael Branthwaite, Dave Griffiths, Janine Goldsworthy, Hilary Jack and Jenny Steele, this opened at the Museum of Struggle and Martyrdom in Treblinka, Poland in August 2015 and the Wiener Library in London, UK in June 2016.