A field trip to HADES, Belgium’s underground research lab in Mol, for geologic disposal of high-level radioactive waste. Organised by Nuclear Cultures project in with Z33 (Hasselt), and ONDRAF/NIRAS (Belgian agency for radioactive waste and enriched fissile materials), artists Kota Takeuchi, Andy Weir, Dave Griffiths and curators Ils Huygens and Ele Carpenter spent 3 days visiting Z33 and meeting Christoph Depaus, Maarten Van Geet and Jantine Schröder at SCK.
I organised Deep Field [Club Golf Nuclea Mol] – an art-science golfing dialogue reflecting on time as underground moles in the HADES research bunker, and re-enacting leisure pursuits of post-war nuclear workers. I’m collecting thoughts and feelings on future mattering of time and space implied by burying, and co-existing with, nuclear waste. I’m producing content for Deep Field [Unclear Zine], a microfiche fanzine collaging poetry, drawing, data, photographs and interviews that attempts to translate the contemporary radioactive waste repository for far-future readers, as a folkloric site of conflict and unknowing.
The HADES lab was constructed in 1980, at 255 metres underground, to research possibilities of geological disposal in deep clay strata. Like underground facilities in France, Sweden and Japan, the research lab is not intended to be used as a final repository for radioactive waste. Hades is also the Greek god of the underworld.