Field to Palette: Dialogues on Soil and Art in the Anthropocene, eds. Alexandra Toland, Jay Noller & Gerd Wessoleck, CRC Press, November 2018
I am pleased to jointly publish a chapter, with Sam Illingworth and Matt Girling in this new collection: “an investigation of the cultural meanings, representations, and values of soil in a time of planetary change… critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss. The book celebrates different disciplinary perspectives in a collection of dialogue texts between artists and scientists, interviews by the editors and invited curators, essays and poems by earth scientists and humanities scholars, soil recipes, maps, and DIY experiments. With contributions from over 100 internationally renowned researchers and practitioners, Field to Palette presents a set of visual methodologies and worldviews that expand our understanding of soil and encourage readers to develop their own interpretations of the ground beneath our feet.”
Urban Matters, 9th Annual Conference on the New Materialisms, Utrecht University, 20-22 June 2018
I am pleased to be presenting a paper ‘Microtopia: sensing and renarrating Belgian nuclear materiality’, on my research in creating a microfiche zine responding to proposals for geoburial of radioactive waste in northern Belgium. I’m on the ‘Post-Industrial’ panel, along with artists Ilona Hongisto, Tero Nauha and anthropologist Milosz Mankiewicz.
Thinking with agency – towards a materialization of a new materialist politics, Santamònica, Barcelona, 20-22 November 2017
I am pleased to be participating as an artist in a training school organised by COST Action IS1307, New Materialism: Networking European Scholarship on ‘How Matter Comes to Matter’. With a focus on political activism, “this training school looks for materializing affects that can conform new experimental changes to transform classical notions of politics into new platforms for agitation… The political potential of New Materialism remains to be actualized. In light of the turbulent times we live in, environmentally as well as politically, such new patterns of politics urgently need to materialise.” With opening dialogues between Maria Tamboukou & Iris van der Tuin, Felicity Colman & Brigitte Bargetz, Gala Pin & Whitney Stark.
Art and Radioactive Waste Storage in Belgium, 17 November 2017, Z33 House of Contemporary Art, Hasselt, Belgium
The Nuclear Culture Roundtables consider issues of the Nuclear Anthropocene and the problems of creating nuclear waste, the difficulty of communicating or marking contaminated sites for future generations, and the question of designing infrastructures for a deep time future. The Underground/Overground round table focuses on the specific situation of nuclear waste management in Belgium. It includes artists participating in the Z33 Nuclear Culture programme, architects, philosophers, anthropologists, and sociologists along with stakeholders and NGO’s, researchers from the Belgian Nuclear Waste Management project, and a group of students researching deep time communication within the Z33 education programme. With visual reporting by Pieter Fannes.
A: Citizen Science and Participation 21st Century Chair: Anne Bergmans: with artists Thomson & Craighead; Bridget Kennedy; Dirk Somers Architects; members of NIRAS/ONDRAF, Mona and Stora; and people engaged in participatory design, activism and community engagement in scientific projects. Rapporteur: Ciel Grommen
B: Deep time communication through Intergenerational relay Chair: Jasmine De Bruycker: with artists Cécile Massart, Dave Griffiths, Maarten Vanden Eynde; along with Christophe Depaus NIRAS/ONDRAF the Belgian Agency for Radioactive Waste and Enriched Fissile Material; Mona and Stora; and people engaged in communicating knowledge over one or two generations. Rapporteur: Sigrid Eeckhout
C: Deep time communication through long term projection Chair: Robert Williams: with artists Alice and David Bertizzolo, Alexis Destoop, Andy Weir; along with Maarten Van Geet, NIRAS/ONDRAF; Mona and Stora; and Jean-Noel Dumont ANDRA, the French Agency for radioactive waste storage; and people engaged in communicating knowledge into the deep future. Rapporteur: Regine Debatty
Perpetual Uncertainty – Art and the Nuclear Anthropocene, Z33 House for Contemporary Art, Hasselt, Belgium, 17 September – 10 December 2017
The exhibition brings together international artists from across Europe, the USA and Japan to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and deep time. Launch party features commissioned DJ set Sonic Radiations by MeteorMusik.
Curated by Ele Carpenter: “The nuclear anthropocene describes how man-made radiation has contaminated the earth, forming a mark of human activity that will last for hundreds of thousands of years. Whilst 20th century fallout provides a time-stamp of the first nuclear age from nuclear weapons testing; the 21st century repositories for high-level radioactive waste will physically create a new geologic layer in the earth’s fossil record for over 100,000 years. Looking beyond the modernist vision of a utopian nuclear age, contemporary artists are engaging with the lived experience of radiation through nuclear objects, architectures and landscapes. They are investigating new forms of nuclear vernacular, folklore and rethinking the markers and archives of the nuclear anthropocene.
Z33 present the exhibition in their beautiful 18th century beguinage building, a series of interlinking rooms on two sides of a courtyard. Hasselt is a town in the Flemish (Dutch) speaking part of Belgium, which also includes the Belgian Radioactive Waste Research Centre, SCK-CEN, the HADES Underground Research Lab at Mol, and the radioactive waste storage site at Dessel. We have worked closely with the waste agency for a couple of years to arrange site visits and roundtable discussions with artists, and to engage the wider community with the exhibition.”